Kinza is the former name of the abandoned house turned Art House Project on Naoshima Island where it now houses the artwork Being given by Japanese artist Rei NAITO. This was perhaps the standout work for me of the experiences I had on Naoshima. Visitors to the artwork must make a prior booking as the experience is scheduled, one person at a time. The Kinza building, like many of the Art Houses in the Benesse Art Sites, seems unassuming from the outside, a normal village house. Inside however, the space has been returned to the earth, the floor reconnecting with the soil beneath the house. The only light entering the space is from the under the outside walls and from the interior, it gives the whole structure a feeling of levitation. Within lies a large round ring, also raised from the ground. The whole space gradually reveals small details laid out in some form of geomantic logic. Small transparent spheres and rings, a staff rigidly perpendicular to the ground, tiny details whose presence is highlighted by the bleeding light outside, and only revealed through time, through contemplation. Above, between two of the wooden beams supporting the ceiling, a large glass cylinder floats — mystically like depictions of The Ascension. The space is at once meditative in solitude and wonder, and also with connection to the outside world through light and sound, the street noise bleeds in as does the light, in a subdued way that is part of the space, part of what is being given.
There are rarely moments with an artwork that remain with you, that remain connected, somehow unresolved yet mystical and reaffirming. Kinza has tunneled a place of nostalgia in my memory, its ambiguity and comfort make it an unforgettable moment.